by SALLY PRUE
We didn’t lack books in my childhood home. I
mean, we had a Bible, a Be-Ro cookery book, David Copperfield,
Shakespeare, and, oddly, the collected poems of Walter de la Mare.
Mind you, of these only the cookery book was ever actually opened.
But we had a large blue set of Arthur Mee’s
Children’s Encyclopaedias, too. I think they must have been my
father’s. They were from the 1930s and extremely dull. Occasionally,
though, the pages of dense text and murky photographs of the Queen Mary’s turbines were enlivened by brief re-tellings of classic tales.
Now, I must be honest here. As a child I
had no taste. What I wanted from a story was, first of all a HAPPY
ENDING, and secondly REALLY NICE CLOTHES. Ideally that meant princesses,
but even a goose girl would do as long as her rags were elegantly
tattered and her apron strings were blown into delectable volutes.
I very happily read all Arthur Mee had to
say about Cinderella, Sleeping Beauty and The Ugly Duckling (a great
favourite: I was the only girl in my class without fair hair and so I
was constantly cast as the witch in our singing games. But oh, I
thought, perhaps one day...).
Those were important stories. They
introduced me to beauty in art. They taught me that the values of my
family were not the values of the whole world. They taught me to hope.
For the time being, though, I was young,
and therefore enslaved and helpless. To make matters worse the land of
the princesses was plainly very far away. I knew of no real-life
princesses except Princess Anne, and she seldom appeared swathed in
acres of bouncing chiffon, which was surely the entire point of being a
(Actually, Princess Anne never appeared in acres of bouncing chiffon. I just couldn’t begin to understand it. Reefer jackets?)
Now, unfortunately, Arthur Mee’s stories
were not very many, and not very long, and I soon began to suffer from
serious princess-starvation. Looking back, I can see that in the man’s
world of the 1930s Arthur Mee had been generous to include any
princesses at all. They were probably as unappealing to him as the Queen Mary’s innards were to me. But there it was: all too soon a thoroughly satisfactory story like Snow White
would be followed by something about Camelot or Olympus which were dull
dull dull, with few happy endings and fewer princesses, and those there
were dressed in either their nighties (Olympus) or their dressing gowns
I realise that so far I have proved myself
to have been the dullest, least numinous sort of child (so lacking in
genius that I was quite unable to make anything at all of David
Copperfield, Shakespeare, or Walter de la Mare) but I’m sorry to say
that things are about to get even worse, because for my seventh
Christmas my Cousin Ann bought me a copy of Chimney Corner Stories by Enid Blyton.
Now, I don’t think there are any princesses at all
in Chimney Corner Stories, and Enid Blyton isn’t really interested in
clothes, either: there’s one really shocking tale about a doll who cuts
up her lace coat to make some curtains for a dolls house, an act of
madness of which the author seems, astonishingly, to approve.
Still, Enid Blyton’s stories are solidly
constructed and I found them extremely satisfying. By far the most
marvellous thing of all, though, was that in several of the stories the
elves come out of fairyland into our own world. One elf gives wishes to ordinary children (and I was, as we have seen, a very ordinary
child) and another (actually I think it might have been a goblin) is
banished from fairyland for wickedly stealing hairs from caterpillars to
make paint brushes.
Now that was truly astonishing, because it meant that fairyland couldn’t far away at all. Those elves and gnomes were coming and going from fairyland to my world just as easily as I left home to go to school.
Think of that! Snow White’s country was clearly a long way away (and once upon a time,
as well) but these gnomes were emerging from their fairyland straight
into contemporary England – a rather smug version of contemporary
England which included servants and ponies, true, but recognisable for
Not only that, but when I looked at the
fairies’ clothes (always the clothes!) I saw that some of them were
wearing bellbine hats. Now, bellbine grows along municipal chain-link
fencing everywhere in England. Why, bellbine even grew through the hedge
between my house and the plastic bag factory!
And if there were bellbine flowers, then
perhaps...well, even Sir Arthur Conan Doyle (as I learned from the
children’s TV programme Blue Peter) had believed there might be fairies at the bottom of the garden.
I searched and searched among the bellbine,
and occasionally I saw something, or just missed seeing something, or
heard a mysterious rustling, which might have been a fairy. It was
enough to keep my new hopes alive.
When I got to the junior school I had
access to more books, and my horizons widened accordingly. I learned
about the wardrobe, of course (my parents’ wardrobe contained not one
single fur coat and perhaps that was why it proved a continuing
disappointment) and later, I suppose by this time at secondary school, I
learned about Herne the Hunter in Windsor Great Park, and the god (or
goddess) Sul who lives in the hot spring at Bath.
I learned about a very local haunting,
Harcourt’s Chariot, which rattles precipitously down the Back Hollow
from Ashridge to Aldbury.
I learned about the Romans’ lares and penates
which guard boundaries and households. I found out about the green men
who have been hiding in the foliage around us for so long that no-one
knows any longer where they came from or why they are watching us.
This intrusion of otherworldly beings into
my own England was startlingly different from the stories of Camelot and
Olympus, and different from the stories of the princesses, too. Herne
and Harcourt and the green men were here, now, close as breathing,
casting shadows on my back. Mount Olympus might be a real place, but it
was far beyond my reach (I’m sorry to say that the furthest we’d ever
gone on a family holiday was Lyme Regis).
In any case, to visit the Olympians you needed Hermes’ wings, or Iris’s rainbow: there was no way,
even in my wildest fantasies, I was going to find Apollo mooching about
round the back of a plastic bag factory. (I admit that nymphs seemed to
get about a bit, but nymphs were like Star Trek security men: shallow
in character and soon dead.)
I was realistic enough to know, anyway,
that even if I could get to Olympus or glum Camelot then none of those
grand people – Lancelot or Zeus or Morgan Le Fay or Hera – was going to
be the slightest bit interested in me. (If Adele Geras’s marvellous
stories of the Greek gods had been available I might have felt
differently about this, but, alas, they were yet to be written.)
So that left me with Herne the Hunter and
various ghosts, pixies and green men – none of them, frankly, either
snoggable or the sort of people you could take home to meet your
parents. My interest in fairyland wobbled.
But then one day a boyfriend said do you like folk music?
and put on a record. It was a song about a real place, Carterhaugh,
where it is so easy to pass from England to fairyland that the tale
begins with a warning:
Oh I forbid you, maidens a’
That wear gowd in your hair,
To come or gae by Carterhaugh
For young Tam-lin is there.
Tam-lin. And suddenly there it was, opening
before me: a handsome prince grown close and dangerous, stepping out of
the pages of a book and onto the real earth of my own country.
Janet has kilted her green kirtle
A little aboon her knee...
And she’s awa to Carterhaugh
As fast as she can hie.
And who, frankly, can blame her?
Oh yes, and suddenly the roots of fairyland were growing out and penetrating into real life again, into my life,
for Janet is no beflounced princess, but a woman of warm blood and hot
desire who knows what she wants and is prepared to fight to get it.
Yes. I discovered I was now old enough to journey far – and fight for what I wanted, too.
Fairyland had grown, just as I had, and yet
again, like an enchanted mirror, it was showing me not my own
reflection but my heart’s desire. Over the years it had presented to me
visions of beauty, hope, escape, romance, and in the end courage.
And I’ll tell you something. That boyfriend never got away.
When Sally Prue
’s first novel, ‘Cold Tom
won the Branford Boase Award and the Smarties Prize Silver Award in
2002, it was clear that a wonderful new writer of folklore-based fantasy
had arrived. ‘Cold Tom’ taps into many legends and ballads about the
fairies: the 'Tribe' which lives on the common.
Sally’s books remind me of Diana Wynne Jones who wrote books of
otherworldly beauty – I’m thinking of ‘Power of Three’ and ‘The
Spellcoats’ – as well as more homely and amusing stories for younger
readers.‘Cold Tom’ and its prequel ‘Ice Maiden
’ are YA reads: chilling, haunting, sharp-edged; but Sally is also the author of a trilogy of books for younger, ‘middle
grade’ readers: the Truthsayer Trilogy.
Sally's writing takes a look at our
world from the outside, seeing ourselves as others see us. The Truthsayer Trilogy encompasses a variety of thought-provoking ideas about the nature of
time and space, and besides the comedy, there are some tremendous
moments of imagination and terror: as in the second book, 'The March of the Owlmen', when the knife-sharp, two-dimensional Owlmen
come slicing into the world. She has also written 'Song Hunter', set 40,000
years ago and featuring a Neanderthal group at the start of the last Ice
Age. She blogs at http://thewordden.blogspot.com/